Equipment

Developing an appropriate "concept" of sound and the skill to communicate it are crucial to success for any musician. Beyond that, having an instrument or instruments that enable you to succeed are more important (in my opinion) than having the "latest and greatest" equipment.


There are circumstances as a free lance player when the ensemble can dictate the instrument "type". A King 2B may be great for playing lead in a 20 piece big band, but not the best thing to play for a Brahms symphony. Likewise, a symphonic .547 bore horn is not the best choice to play lead bone in a trombone jazz quintet + rhythm with the other guys on small horns.


That said, over the years I have evolved in my instrument selection to the following. Keep in mind that these descriptions are generalities, and this is what has worked out best for me, how I play and how much time I am able to devote to practice and preparation.


1970 King 3B Silversonic (.508 bore) - This horn is bright, on the edgy side, but can be mellow on a nice high ballad. It is responsive in most registers but gets a bit stuffy if you go down low. I use this for Latin band, 5 horn band, church "praise" band and for lead or 2nd in a big band setting. Essentially, a great jazz/pop/rock horn.


Conn 88H-CL2000 (.547 dual bore) - This is my jewel. I love this horn. Nice, big sound w/ inter-changable lead pipes (I only use one). This is the horn I use when playing with the Georgia Philharmonic or any big orchestral setting. Also would use this in a quality community band setting such as the Atlanta Wind Symphony. When I practice at home, I use this one almost exclusively as it demands more of me in terms of air, control and precision. If I can do it on this one, the others will fall in place nicely.


pBone (.500 bore plastic trombone) - Yes, I do have and enjoy playing on my Jiggs pBone. Mine is red and it is just plain FUN to play. Before you get all in a twitter about plastic "toy" trombones being the start of the downfall of trombone society as we know it, I do NOT suggest this as a replacement for a metallic trombone, or anything that should show up in school band rooms. I see it as similar to a mute where it is the color of the sound (no pun intended) that is impacted for specific purposes. Would I use this horn on a gig? Absolutely! Especially for a small group jazz combo, or maybe on a jazz solo. Will it ever replace my other two horns? Nope! Not gonna happen. Nuff said...


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